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Before O Vazio, there was an earlier phase defined by live sessions and band experimentation.
Revival was a small independent band:
performing in informal environments — backyards, small gatherings, and local alternative spaces.
The repertoire was centered on reinterpretations of classic and alternative rock, including artists such as The Troggs, The Zombies, Pink Floyd, The Beatles, John Lennon, and The Strokes.
These sessions were marked by limited equipment, analog recordings, and direct interaction with the environment.
Rather than structured production, the focus was on execution, presence, and raw sound.
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While Revival operated through reinterpretation and collective performance, O Vazio operates through construction — organizing sound as structure.
The project incorporates lo-fi acoustic textures, psychedelic elements, and minimal resources, prioritizing atmosphere over technical refinement.
using a computer microphone in a bedroom environment, it maintains the same raw foundation, but explores new directions in composition.
No longer centered on live band performance, the project shifts toward individual production and experimental structure.
Following this phase, O Vazio emerges as a continuation — but also a transformation.
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Part of the material from this period was recorded using
These images are not documentation in the conventional sense, but fragments of the environment in which the sound was formed.
They reflect the same principle present in the music:
imperfection, limitation, and presence as part of the structure.


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